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“A World of Monsters.” from The Horror Film, by Peter Hutchings Summary Free essay! Download now

Home > A Level > English > “A World of Monsters.” from The Horror Film, by Peter Hutchings Summary

“A World of Monsters.” from The Horror Film, by Peter Hutchings Summary

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“A World of Monsters.” from The Horror Film, by Peter Hutchings Summary essay preview“A World of Monsters.” from The Horror Film, by Peter Hutchings Summary essay preview“A World of Monsters.” from The Horror Film, by Peter Hutchings Summary essay preview

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SUMMARY: “A World of Monsters.” from The Horror Film, by Peter Hutchings
In the chapter “A World of Monsters”, from his book The Horror Film (2004), author Peter Hutchings outlines the importance of a monster in the horror genre by trying to understand the definition the and meaning behind a monster using different contexts.
Hutchings defines a monster in two different theories— “anthropological” and “psychoanalytical”. According to the anthropological context a monster is something anomalous to the conventional social norm; it represents the limbo of human understanding of reality and fantasy. Such disruptions arise, according to Hutchings, in form of monsters that are undead, half human-half animal, just body parts or even without any particular shape (35). The second context, psychoanalytical context, is the “abjection” a monster represents. The author refers to the work of Kristeva to define abjection as something “which does not respect borders, positions and rules and which disturbs identity, system, order (36).” This concept helps explain the biologically gross elements seen in monsters like slime, menstruations or reproduction. Even though abject represents something disgusting Hutchings believes it is more than just a symbol of disgust, it is also a source of captivation for the viewers.
Hutchings then goes on to further understand monsters by trying to elucidate the underlying broader metaphorical meaning of a monster. He uses the psychological effects of the physical, social, historical and political changes that occur around the filmmaker and viewer as the origin for the meaning behind a monster. These aspects may not be superficially visible in the monster, but they indicate something deeper behind the existence of monsters. Mentioning works of many authors, Hutchings, indicates the monster to be representing the “anxieties of adolescence” regarding sexuality, changing physicality and emotions, social repression, wars and epidemics (38). Hutchings says that if people try to understand the psychological underpinnings of a monster, it can help them deal with their anxieties and fears.
In conclusion, Hutchings notes that there are many questions as to what is most important in the understanding of a monster— physical aspect or metaphorical aspect— but he concludes that using only one aspect simply distorts the mosaic of a monster. Hutchings concludes that each monster is a complex blend of various features explained by various theories and thus to reduce the definition and meaning of a monster to one framework of understanding does not do their complex nature any justice.

WORKS CITED
Hutchings, Peter. “A World of Monsters.” The Horror Film. Harlow, England: Pearson, 2004. 34-40. Print.









PARAPHRASE:
A discussion on gender related depictions and the use anti-feminist components in many horror films would be dealt with later in this book. ...

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