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Fairytales and Modern Media: How Do They Relate?
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DescriptionFairytales and Modern Media; a comparision to techniques used in fairy tales and in modern media (i.e. TV, Movies, and Books)
Fairy Tales and Modern Artistic Media: How Do They Relate?
Fables and fantasy fiction remind many people of their childhood, and cause the population to reminisce on the more blissful and carefree times in their lives. When authors use words and phrases that readers can connect back to those folktales that they have read so long ago, they wish to make their piece resonate their readers and help them to understand on a deeper level. This literary technique helps the reader to feel a familiarity with the story upon first reading through, and to recreate those feelings that they had as a child when reading stories of dungeons and dragons, and knights and princesses. And, this writing style proves effective in a number of different artistic medias, including Rachel Carson’s “Fable for Tomorrow”, “Initiation” by Sylvia Plath, and the more well-known Star Wars title sequence.
Beginnings for fairytales are quite imperative to the entire story as a whole. Just as it is said that the “eyes are the windows to the soul”, the introduction of any piece of this nature creates the ambiance to expect throughout the entire tale. The mood is determined in that very instant upon reading the first few lines, as it is with any media. In “Fable for Tomorrow”, Rachel Carson uses “There once was a town in the heart of America where all life seemed to live in harmony with its surroundings” (Carson, 1962, 50). She uses this overture to set the scene for that enchanted setting that she wants to relate back to America, pre-pollution. In another instance, George Lucas’s Star Wars also uses common folkloric jargon to draw in his viewers, stating, “A long time ago in a galaxy far, far away…” Again, Lucas is simply changing the context of a timed fairytale opener, and using it to make viewers think “magic”.
To keep that sense of mystique and enchantment, authors then pepper in words and phrases throughout the story to keep that feeling alive, so the reader never loses it. Carson, again, uses “places of beauty”, “delighted the traveler’s eye”, and “the stream, which flowed clear and cold out of the hills…” (Carson 1962, 51), to keep the mood in the back of the reader’s mind as they continue to read. Same for Plath’s “Initiation”, giving that fairytale-esque dialect to her story, describing the main character’s “silken train, or whatever the disinherited princesses wore in the story books” and how she would “come into her rightful kingdom”. She speaks further on her fantasy, describing “a pavilion outside a dance floor, looking in through the windows at the golden interior, with the lights clear and the air like honey, wistfully watching the couples waltzing ...
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